"Modern Soul is a style of music with associated clothing and dance styles (precursors to the Disco era), that developed in Northern England in the early 1970s.

Modern Soul developed from the Northern Soul scene, when some Northern DJs began looking in record shops of the United States and United Kingdom for something more complex and contemporary. What emerged was a richer sound that was as lyrically and melodically soulful as Northern Soul, but more advanced in terms of Hi-Fi and FM radio technology. Another benefit was that unlike Northern Soul, it offered a steady stream of new releases. Modern Soul records are not necessarily modern at any one point in time; some current Modern Soul favourites are some 30 years old. The records were simply modern when the innovative Northern DJs began to play them.

A large proportion of Modern Soul's original audience members came from the Northern Soul scene, retaining their adoration of underground and rare, independent label soul music. One of the first Modern Soul clubs was Blackpool Mecca, which was fronted by the DJ Ian Levine. He broke from the Northern Soul mould by playing a new release by the Carstairs (It Really Hurts Me Girl) in the early 1970s. Around the same period, Colin Curtis played The Anderson Brothers' I Can See Him Loving You, and another key Modern Soul track emerged: Don Thomas' Come on Train.

The main protagonists of the two soul genres had a falling-out and went their separate ways, with soul clubs generally siding either with Modern or Northern. Modern Soul became a major force, drawing more people towards the music and its venues. Liverpool, the only major northern city of the West-East swathe of England, had remained largely immune from the Northern Soul scene in the 1960s and 1970s, preferring Motown and Funk. The city showed itself to be a more fertile area for the Modern Soul sound.

Despite their initial differences, Northern and Modern Soul remain inextricably linked genres. Some DJs, such as Richard Searling and "Soul Sam" (Martin Barnfather), have championed both the Northern and Modern Soul scenes for several decades. Nowadays, most UK soul venues play music from both genres. A Greg Perry track, could immediately follow a track by The Vibrations, a mix that would not have happened in the 1970s.

Modern Soul has yielded more crossover hits than Northern Soul, and many of the stars of Modern Soul have had lucrative careers, unlike the stars of the Northern scene. "- wikipedia

Me and my mate DJ Kevie Kev going one for one with the vintage 45s, late Friday night smokey session!
He goes first:

1 DON'T SEND NOBODY ELSE- MILLIE JACKSON (KENT)
2 I GOT TO HAVE YOUR LOVE- FANTASTIC FOUR (WESTBOUND)
3 HOW CAN I GO ON WITHOUT YOU- JOHN EDWARDS (KENT)
4 SISTER ROSE- JOHN EDWARDS (COTILLION LP)
5 I LOVE MUSIC- THE O'JAYS (PIR)
6 CALL ME- BILL WOLFER (CONSTELLATION LP)
7 WHERE THERE IS LOVE- THE WHISPERS (EXPANSION)
8 INDEPENDANT WOMAN- JAN JONES (DAYWOOD)
9 CATCH ME I'M FALLING- ESTHER PHILIPS (ATLANTIC)
10 KISS MY LOVE GOODBYE- BETTYE SWANN (ATLANTIC)
11 SATISFACTION GUARANTEED- HAROLD MELVIN & THE BLUE NOTES (PIR)
12 IS THERE ANYTHING I CAN DO- WILL COLLINS & WILL POWER (GOLDMINE)
13 YOU GIRL- WENDELL WATTS (GRAPEVINE)
14 SO I CAN LOVE YOU- THE EMOTIONS (STAX)
15 YOU DON'T LOVE ME- THE PITOME OF SOUND (GOLDMINE)
16 SAVE YOUR LOVE FOR ME- VIVIAN REED (ATCO)
17 RED LIGHT- BILLY OCEAN (SCOOP 33)
18 YOU'RE EVERYTHING I NEED- MAJOR LANCE (PYE)
19 TOO LATE- TAVARES (CAPITOL)
20 GETTING TOGETHER- BROTHERS GUIDING LIGHT (GOLDMINE)
21 IT'S TOO LATE- THE FABULOUS KAYS (JARDIN)
22 TWO WRONGS DONT MAKE A RIGHT- THE MAYBERRY MOVEMENT (KENT)
23 PYRAMID- THE SOUL BROTHERS INC (GOLDEN EYE)
24 DONT TEAR ME DOWN- CHARLIE RICH (KENT)
25 LOVE CAN'T BE MODERNIZED- THE TRIPS (SOULTOWN)

No effects, rewinds, or cutting tunes short!
77mins/ 8 tracks/ 224kbs/ 124mb/ word format sleeve in the folder!

MANY THANKS FOR THIS.

Thanks.

Thanks.

nice one!